A war movie, without the distracting love stories and over poignant speeches.
A war movie that doesn’t worry about what Churchill is saying.
A war movie that doesn’t show an enemy face until the final seconds.
A war movie that doesn’t show blood or gore.
A war movie that shows Spitfire Mark 1s in 70mm IMAX.
A war movie that shows what it was like to try to return home and try to help the evacuation.
On land, on sea and in the air.
Compelling action. Bullets zinging. Bombs exploding. Torpedoes hitting. Ships sinking. Planes duelling. combattants bracing.
A war movie, not a survival movie, even if the Director says so.
So go see Dunkirk.
The surprise – what limited dialogue there is can’t be heard very cleary – a mistake not made since “The Patriot”. Understandable maybe if the background is explosions, but when reading a newspaper article on a train back in Blighty?
Some of the storylines are a bit misjudged (the trawler, one event on the little ship) and there’s no celebration of French efforts.
Promotional interviews for the movie Dunkirk keep stressing how Churchill thought the operation to bring British and allied forces out of the trapped pocket might ony save 30,000 when 338,000 were to be relieved says more about our willingness to buy such stories rather than what was actually said by British senior officers.
And the story of the little ships being brought over by their owners was also something that took off after it was penned by an American author – they were mainly sailed by Royal Navy personnel.
Worst about it all is how the role of French soldiers in enabling the evacuation is underplayed.
Then ideas that Hitler was being kind to the British – more a judgment of a British army returning home was never going to come back and there were other objectives to meet.
Nor did the Luftwaffe particularly fail – they were asked to do too much from bases too far away.
And of course there are records of British servicemen poor discipline.
As it happens, the British were planning an evacuation a few days previous and a major operation after Dunkirk brought another 190,000 personnel to Britain.
The Allies were out thought and outmanoeuvred in the Battle of France.
And debacles were to follow elsewhere, notably in Singapore.
But enough already.
Cos the point is that even once we cut through the myths and hear more of the reality, the Dunkirk evacuation was still an extraordinary effort, including the French. Something to be proud of and to draw inspiration from.
A celebration of cinema and when Britain and its empire stood alone against the Nazis.
A reminder of the sexist nature of the world of work.
Their Finest Hour and A Half Directed by Lone Sherfig
And how the screenwriters must have enjoyed writing a screenplay where the screenwriter is the hero in a war film.
(No doubt learning from journalists who make themselves the hero in a political story.)
One bigger quibble – the female lead makes strides for women and without any real reason, falls for the boss at work (having fallen previously for an artist who didn’t champion her) without any kind of narratve to suggest there had been real warmth. Surely the screenwriters should have spotted that.
“Touched” is an acclaimed play, first shown in Nottingham forty years ago, and being shown at the Playhouse again.
But because it was first shown 40 years ago, parts of the play that might have been novel then – home abortions, nuclear bomb explosions – have been shown again since by other productions – including in the Playhouse. So the play has become thinner with time, and I wonder if the script wasn’t worth a re-visit to give a bit more width to the other characters in the play.
Still go see Vicky McClure and definitely go see Aisling Loftus (compelling) – Nottingham born actors.
Meanwhile, gotta say, got distracted by the projection of a map of 1940’s Nottingham onto the set. Towards the end, the graphics showed parts of the city disappearing under the boiling cloud of atomic bombs – save the scale of the explosions were far too small; a bit odd.
“Irving has for his own ideological reasons persistently and deliberately misrepresented and manipulated historical evidence; that for the same reasons he has portrayed Hitler in an unwarrantedly favourable light, principally in relation to his attitude towards and responsibility for the treatment of the Jews; that he is an active Holocaust denier; that he is anti-Semitic and racist, and that he associates with right-wing extremists who promote neo-Nazism… therefore the defence of justification succeeds… It follows that there must be judgment for the Defendants.“
The court case verdict is so important.
The solicitor says it plain: the defendants’ book has stood the test.
And the Fascist’s credibility as historian is destroyed. He is a racist and anti-Semite, he is a holocaust-denier – the judge found so.
Coverage of the case on TV that night kinda gave Irving a chance to repeat the stuff he’d been found wrong on, and emphasised why Lipstatd and Penguin Ltd.’s took the stance they did – put Irving on trial, not the author, and not the survivors of Auschwitz.
“Denial” the movie is great.
Congratulations to all involved.
Says what holocaust denial is.
Shows Auschwitz as is now, in a compelling and moving way.
Shows the defendants being knowledgeable, determined and effective.
Says you must be accountable for what you say and not all opinion carries the same weight.
There were risks – reducing 32 days of a trial to 32(ish) minutes of screen time (e.g. didn’t understand why the judge was exploring new questions during a defence’s summing up).
But the film is a triumph.
I’d been waiting for this film to be shown – because in 1980, I joined a number of people who shouted David Irving down when he came to Birmingham University’s Guild of Students, invited by the Debating Society. He spoke, but he wasn’t heard. A kinda colleague, Labour, with great English skills, put out a leaflet equating those of us who’d shouted as Animal Farm’s pigs who’d learned to walk with two legs. (My previous attempts to use Guild Council to cast doubts on the reasons for his invite from the Debating Society had been ruled out of order – I was only an associate member(!)) Yet a big message from the film was to point out the problems of debating with such re-writers of history. They didn’t deserve such a platform. I feel the film vindicated those of us who said – these are not the kind of people to debate with.
And the hallmarks of holocaust denial –
1. the killings were not systematic;
2. the numbers were exaggerated;
3. Auschwitz wasn’t built for extermination;
4. the holocaust is a myth.
And in a subsequent development, Deborah Lipstadt has developed ideas of soft-core holocaust denial – worth reading.
“You need social courage” …. from HMD’s video … worth 3 minutes of your time –
A ceremony held a The Council House – this year much more about the genocide of the Jews during WWII. A shame Donald Trump couldn’t join in.
Instead – chaos at US airports over actions geared more to prejudice than effective action against terrorism; Mo Farah likely to be excluded from training in the USA; legal officers having to suspend aspects of a Presidential order cos of lack of process; a fire attack on a mosque in Texas.
Paddy Tipping – a descendant of the Huguenots who came to Britain centuries ago to avoid persecution by the then Catholic church – spoke on current concerns :
about heightened prejudice against Muslims; contrast that with how well all our kids get on at schools; hate crime remains an issue, even if it’s calmed down since after the Referendum.