The programme to make every council house secure warm and decent, officially completed on the 31st, was celebrated at Strome Court.
Lilian Greenwood MP gave a speech.
Lilian Greenwood MP celebrates Nottingham City Homes completing their 100% decent homes programme, making homes secure, warm and decent.
… Lilian recalled how completion of the programme was under threat with the 2010 Conservative government (with a particular threat for The Meadows that also lost a £210m regeneration programme) and how tenants led the campaign to restore the money. Lilian then pledged to continuing the external insulation of homes as has been seen in Clifton estate.
At the Galleries of Justice.
The reference for any future development – draw on what we know about our city and our neighbourhoods before we change them.
Launch included a presentation on the caves, which we now count as 551.
Invited to address the University of Nottingham sports council to explain the planning committee’s decision to defend the veteran oak trees at the expense of a new sports centre …
… but I suspect I bored them.
It’s just possible they’d worked out that the sports centre was being delivered anyway, despite the decision to defend the trees.
The 2 pertinent questions were asked – why defend these veteran trees if you don’t defend them all? did you defy the advice of your own officers?
Which kinda confirmed that they already knew enough.
Since had feedback that it was appreciated, but still suspect people are being polite.
A chance to preview the new entertainment and education facility in Hockley, celebrating computer arcade games and allowing you to play them and design them.
Opening Saturday and priced at cinema ticket levels.
Reviewing the idea of a 48 page guide to celebrate Hockley and the Lace Market, and to review recent concerns of ASB, with local independent businesses.
Three sisters coming together to celebrate their 80th, 85th and 90th birthdays.
The wider Parton family, descended from Frank and Annie.
And in all those years – not one murder – unlike BBC tv’s Eastenders.
… or a play about the Shrewsbury 2.
A terrific education.
And, in patches, terrific entertainment.
Principles. Inspiration. Nostalgia.
Recommended, save there are only a few dates left and none local.
I come from Shrewsbury. And I’m kinda surprised that it’s the home of two high profile conspiracy stories – the killing of Hilda Murrell and the Shrewsbury 2 / 3 / 6 / 24 – both of which the subject of plays. DNA technology found the conspiracy theory around the murder was unfounded.
The authors of this play and the Shrewsbury 24 campaign are clear this was a conspiracy – to find striking construction workers guilty of conspiracy under a rarely used 1875 conspiracy law.
The conspiracy charge runs thus – strike leaders associated with a picket on the Brookside estate in Telford New Town on 6th September 1972 were picked out for an investigation by police officers, after a national 10 week strike had been settled. Following a successful miners strike and the liberation of 5 jailed London dockers, the establishment – notably the Conservative gov’t and their party treasurer, McAlpine – wanted retribution. McAlpine whose family had provided the High Sheriff of nearby Denbighshire for 8 times in succession. McAlpine – the developer of the Brookside estate that became the focus of the court case.
The final parts of the first half of the play makes these points in a very entertaining way.
The final parts of the court case which makes up the second half are good too, although other exchanges are more confusing.
Singing segways the scenes – as the actors re-arrange the scenery. In the context of this story, some of the traditional songs are very powerful, although the acoustic version of The Sweet’s “Blockbuster” as background music for a video of the first years of the Edward Heath government was bewildering (yet terrific nostalgia).
The actors exhibited all the stage crafts, including fetching members of the audience still in the bar at the end of the interval (guilty m’lud).
As the Guardian review points out, the play has something to say whatever your politics – the use of leftist pathos is there but not as much as I might have expected.
It’s a fantastic reminder of the quality of grassroots activity of the early seventies – stuff I wish we had now. And of why the trade unions had to win on pay, terms & conditions and health & safety. “Kill, kill, kill the lump“. Well, the lump is back now in a different form – zero and low hours contracts – and we need to win again.
Whilst the Sweet song made me smile, I was not too happy with the use of the Strawbs song which at the time I saw as an anti-union song; (the wiki write up is conflicted; and I wonder if this production changes the words).
At the end of this performance, Terry Renshaw, the youngest of the Shrewsbury 24, gave a speech and explained that the court papers are withheld until at least 2021, although the Labour Party is committed to changing this if elected in May.
Terry said there were still health and safety issues in construction and the Nottingham tram expansion project had hit a problem when workers were required to pay a fee to get their wages.
This performance was staged at the Nottingham Arts Theatre in Hockley.